The making of: ‘The Impossibility of Love’

Kila Rusharc Impossibility of Love Retouching by Recom Farmhouse

‘Teetering on the Precipice of Your Mistrust’,  Kila & Rusharc

We are finally back after a long period of absence…herrr sorry for the big gap! So it is now overdue to post this still life series which has been finalised by our retouchers before summer and shot, styled and art directed by photographers Kila & Rusharc, who are only at the beginning of their collaboration. Behind this mysterious name there are Philip and Alessandra, with the latter being also a contributor to this blog and my other half. Read more

Stuff we like: ANNE HARDY

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Cell, Diasec mounted c-type print, 120 x 150 cm, 2004

When I discussed Anne Hardy‘s images with a friend, I asked: “What do you like about her work?”, he replied with a bewildered gaze whilst staring at the screen: “They are just something else”, his mouth open. I guess there is a lot to take in when one looks at Hardy’s photographs. They hit you from different sides as each object is carefully placed, creating scenes packed with multi-layered meanings. Read more

The making of: The Weight of Words

Franck Allais 'The Weight of Words'

Driven by commitment to solve customer needs, Franck Allais

Franck Allais, whom we have been collaborating with for many years, is a conceptual photographer who ‘likes disrupting the habitual way of seeing and questioning everyday visual references’. In ‘The Weight of Words’ series he highlights how brands pollute our everyday landscape. The images and video, recently exhibited at KK Outlet, have all been retouched in our London studio. Read more

Stuff we like: PETER FUNCH

Peter Funch
Life’s A Beach (I), 2012.
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Life’s A Beach (II), 2012

Peter Funch is a Danish photographer, whose work I’ve been a fan of for a long time. So when we opened our studio in Brooklyn last year and found out that his studio is just next door to ours, I was very excited of course!

These images are taken from his recents series ‘Triptychs’, which i really like. I always thought that they were either shot during a storm or set up with giant wind machines, so I was quite intrigued when he told me,  that these images were taken on a Caribbean island which is located close to an airport. Read more