The making of: Achim Lippoth’s Kid’s Wear

I just love what Benjamin and Michaela from our Stuttgart office have done for this kid’s wear project beautifully shot by photographer Achim Lippoth for Kid’s Wear Magazine. It has been a long-winded process, but certainly a rewarding one!

Before the photo shoot, they discussed their approach with Achim and he agreed to keep a clean white background in a corner of the room because they wanted to combine the images taken in the studio with some old printing techniques.

28_triptych02 — Life’s A Beach (II), 2012

Peter Funch is a Danish photographer, whose work I’ve been a fan of for a long time. So when we opened our studio in Brooklyn last year and found out that his studio is just next door to ours, I was very excited of course!

These images are taken from his recents series ‘Triptychs’, which i really like. I always thought that they were either shot during a storm or set up with giant wind machines, so I was quite intrigued when he told me, that these images were taken on a Caribbean island which is located close to an airport. Read more

100% : HOLGER POOTEN

Client : 125 Magazine Photographer : Holger Pooten

An old project I’m still very fond of is this fireman series of Holger Pooten.
After we brainstormed for a while together, Holger shot the real model on location and we then spent a day in the studio of setbuilder Carmel Said, setting mannequins on fire. Since I’m a little obsessed with fire anyway, it was an insane amount of fun despite a five-meter high wall nearly collapsing on us. Read more

The making of: Playing inside a box

This series of portfolio images originates from a project we did together with artist Tom Price, who asked us to do some liquid simulations for him (part of it can now be viewed as a 15m high sculpture on Gloucester’s Kimbrose Square). We ended up with some really beautiful shapes of liquid matter, which I thought to show in a different context than it was originally thought for. Read more

Stuff we like: BRICE BISCHOFF

What I love about this series by Brice Bischoff is that he uses some very simple techniques to great effect – all done in camera. These ones here are taken from the series Bronson Caves in Los Angeles. The caves are man made and since the 90s are very famous as filming locations. Read more

Paparazzi Style…

A very long mirror lens with its shallow depth of field is what makes this image so peculiar and the strong backlight adds the mood to it! Thorsten-Jasper Weese from our Stuttgart studio travelled with Uli Heckmann to Mexico for a web special for the Panamera. Using such a long lens is really unusual in car photography as it flattens out the perspective, but the way Uli used it, it even highlights the unique sinuous curves of this car amidst the chaos of the city traffic. Although the car was entirely created in the computer, the final effect is definitely very natural. Click on it to see it 100%.

Posted by Christoph

CREDITS:

Client: Porsche
Agency: BB-K
Photographer: Uli Heckmann
Art Director: Martin Spies
CGI-Director: Thorsten Jasper Weese
CGI-Artist: Andreas A. Maurer
Post Artists: Jonas Braukmann, Uli Heckmann, Martin Spies

100%
Automotive, CGI, Porsche, Uli Heckmann

The making of: FORD MONDEO

As it’s often impossible to show the amount of work and detailing that goes into an image, by posting the result on our website, I am starting a new section in the blog called 100%. Here we would like to post all those images which can be best appreciated in all their details when enlarged. I thought to post some close-ups of the Ford Mondeo campaign which we realised together with Damien de Blinkk for Ogilvy. This was a couple of years ago, but I am still very fond of looking at some of the qualities that only start to show when zooming in all the way. Read more

100%, THE MAKING OF
Automotive, Blinkk, CGI, Ford, special effects, X-Ray

Hello!

So here we are! We have a Blog! Amazing! Scary! I have to start writing stuff and hope you find something interesting here. There are so many amazing people out there doing beautiful work, so this blog is not only about why we love what we do and how we do it, but as much about all the stuff we encounter that excites us and we want to share with you.

And as a little introduction – here is a picture taken in Brooklyn by Ralph Mecke, who was kind enough to take a crew shot on the roof top of the old factory in which our studio is located. After just schlepping our black leather couch to the roof it started snowing!

Recom Farmhouse crew on the roof top of the studio in Brooklyn

Christoph

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